NAP
In The Telling: Black Family Podcast
In the inaugural season of In The Telling, we engage with guests from the African diaspora as they share powerful family stories, exploring themes of loss, resilience, and kinship.
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Contact us if you would like to be a guest on the show.
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Original music by Sean Bempong
Season 1
In this episode, Dr. Biddle talks about applying his library research skills to his quest to document his family’s unique history.
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"Where are you from? Where are your families from?" Dr. Stanton Biddle began his family research in response to these questions from classmates while in grade school in rural western New York State, which was largely white. His initial questions: when did his African American ancestors come to New York; where did they come from and why did they come? These questions gave way to other questions. Fortunately, his family had amassed significant documentation of their presence in New York going back many generations.
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Dr. Stanton Biddle is a retired librarian whose career spanned nearly fifty years. He held positions at the Library of Congress, The New York Public Library, Howard University, SUNY at Buffalo, and finally Baruch College at the City University of New York. His time at New York Public included seven years at the Schomburg Center for Research in Black Culture where he served as reference librarian, archivist, and research project director. Dr. Biddle was born and raised in a rural and predominantly white area of western New York State. He has cultivated a lifelong interest in African American history and culture. His focus in retirement has been on genealogy, primarily involving his own African American family that has been based in western New York for over two hundred years.
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In this episode, Eric shares a story about his family, who suffered two house fires (one when he was an infant), and how family photographs gained an even more important significance of his elders, who have been passed down in various ways.
Eric Darnell Pritchard is an award-winning writer, cultural critic, and an Associate Professor of English at the University at Buffalo. He is also faculty at the Bread Loaf School of English at Middlebury College. Eric is the author of Fashioning Lives: Black Queers and the Politics of Literacy and editor of “Sartorial Politics, Intersectionality, and Queer Worldmaking,” a special issue of QED: A Journal in GLBTQ Worldmaking. Pritchard’s writings on fashion, popular culture, literacy, rhetoric, and pedagogies have been published in multiple venues including the International Journal of Fashion Studies, Harvard Educational Review, Visual Anthropology, Literacy in Composition Studies, and ARTFORUM. Currently, he is completing two books: a historical ethnography of Black queer feminist literacy activism and a biography of 1980s international fashion superstar Patrick Kelly.
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Learn more about Eric's work here: https://www.ericdarnellpritchard.com/
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This episode shares the beautiful story of Lee Levingston Perine and Patience, two queer African Americans who chose each other as family, a quality that both the Black and LGBTQ communities have been doing for centuries.
If we are fortunate, we have our biological families and our chosen families. Our history as African Americans is a complicated, often painful one. As descendants of enslaved people, we lived with the omnipresent possibility of separation through the sale of our fathers, mothers, sisters and brothers. After coming out to their family, many lesbian, gay, bisexual and transgender people also suffered the loss of family members.
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Lee is a Washington, DC-based project manager, event planner and creative. He has planned or helped plan everything from weddings to nonprofit events to an LGBTQ+ music festival headlined by the Queen of Bounce, Big Freedia. He’s the founder of Makers Lab and his latest project is a virtual Black Pride Festival happening this May.
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Patience is a creator, actress, vocalist, and writer native to Washington, D.C; a creative with a passion for the spoken word and sound healing. She is most recently recognized as the "Scat" of the Peace & Bodyroll Duo BOOMscat. Patience is an artist who creates collages for your listening pleasure. If you listen closely you may feel her heart between your ears.
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Learn about Black in Space here!
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In this episode, educator Carla Whyte, the only person in her immediate family to participate extensively in therapy, considers what it means to strive to be well in a toxic family environment because she knows this struggle intimately.
Building a healthy life can be difficult. Doing it while engaging dysfunctional family members can be insufferable.
The Brooklynite has been teaching for about a decade (ESL and history to middle and high schoolers), first in South Korea, then Liberia, Guinea, France, and now she is back in New York. Carla studied sociology as an undergraduate where she became fascinated with race relations in professional and collegiate spaces, as well as disparities in educational access, particularly for black people. While she enjoys teaching, Carla also has an interest in tapping into her creative side through blogging and podcasting.
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In this episode, we speak with Katherine “Kat” Cheairs, a filmmaker, educator, curator, activist, and community artist, as she shares her memories of visiting her maternal grandparent's home in the summertime in Memphis, Tennessee.
Kat’s areas of interest and research include: HIV & AIDS; visual culture; media arts therapy; community arts; and, critical race theory in art education. Ms. Cheairs is a co-curator of Metanoia: Transformation Through AIDS Archives and Activism, an archival exhibition focusing on the contributions of Black women, transwomen of color, and women of color HIV/AIDS activists from the early 1990s to the present. Ms Cheairs is the producer and director of the documentary, Ending Silence, Shame & Stigma: HIV/AIDS in the African American Family. Kat’s new project in development, In This House, is a video installation exploring HIV/AIDS narratives through the Black body. Kat has appeared and presented on panels at the Tribeca Film Institute, BAM, Pratt Institute, The New School, New York University, The Studio Museum in Harlem, The Aperture Foundation, and UnionDocs.​
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In this episode, Alexis talks about grief and loss as emotional states impacting black family life from her point of view. Check out the photographs above for the images of the bookstate Alexis made for her sister Renee.
Alexis De Veaux was born and raised in Harlem. She is the product of two merging streams of black history in New York City--immigrants from the Caribbean on her mother’s side and migrants from North Carolina on her father’s side who settled in Harlem in the early decades of the Twentieth Century. The second of eight children, that history was embedded in her mother’s view of life: as she would say, “you got three strikes against you. You poor, you black, and you female.” But Alexis was drawn to the world of words and books, and literature soon became the means by which she re-imagined the world her mother understood. She is the author of many books including Na-Ni, (1973); Spirits in the Street (1974); Blue Heat: A Portfolio of Poems & Drawings (1985); Don't Explain: A Song of Billie Holiday (1988) and Warrior Poet: A Biography of Audre Lorde (2004) and Yabo (2014).
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In this episode, we speak with Alexis Pauline Gumbs, who, while interviewing her grandmother, hears about her great-grandmother, Edith, for the very first time. This discovery sparked a journey to learn more about who her great-grandmother was within the family and within the community.
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Alexis Pauline Gumbs is a community-cherished writer, a queer Black feminist scholar and an aspirational cousin to you and everyone you know. Alexis is the author of Spill: Scenes of Black Feminist Fugitivity (Duke Press, 2016), M Archive: After the End of the World (Duke Press 2018) and Dub: Finding Ceremony (Duke Press, 2020). She is also the co-editor of Revolutionary Mothering: Love on the Front Lines (PM Press, 2016). The Anguilla Literary Festival called Alexis "The Pride of Anguilla." A Publisher's Weekly starred review of her most recent book called her work "groundbreaking." Bitch Magazine calls Alexis "a literary treasure." North Carolina Poet Laureate Jaki Shelton Green says "Like Audre Lorde, Gumbs writes for the complexity of her vision." A proud Barnard graduate, Alexis was the first person to research in the archival papers of Audre Lorde at Spelman College, June Jordan at Harvard University and Lucille Clifton at Emory University during her research for her dissertation "We Can Learn to Mother Ourselves," towards the completion of her doctorate in English, African and African American Studies and Women and Gender Studies at Duke University. Alexis is now the provost of the Eternal Summer of the Black Feminist Mind in Durham, NC, and co-founder of the Black Feminist Bookmobile, Black Feminist Film School and the Mobile Homecoming Trust Living Library and Archive of Queer Black Brilliance. Alexis is also Creative Writing Editor of Feminist Studies and celebrant in residence at NorthStar Church of the Arts in Durham, NC.
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In this episode of In the Telling, Christopher Stahling talks about his two seminal figures in his life, his grandmothers Ethel and Thelma. Both women lived together in Harlem and deeply impacted Christopher as a youngster, though differently. Join us for enjoyable and thoughtful stories about these two special women--and learn about Chris, too!
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Christopher Stahling is life coach, mixed media visual artist, caterer and healer. Native Harlemite. That's him in the photo, you'll learn that he's so much more. Have a listen.
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Follow him on IG @insatiablelion.
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In our second episode, we interview Miranda Mims, co-founder of the Nomadic Archivist Project (NAP), who has been actively researching her family history for the last 15 years, from reconstructing the lives of her grandmothers, Fannie Pearl Bowen and Lucella Atwater Stillwell, to her efforts in uncovering the truth about her great Grandfather, John Mims.
"It has been hard at times because there are so many missing records, including the 1890 census - which could have been an important piece to John's story, if it wasn't destroyed in a fire in 1921."
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Miranda Mims co-created this In The Telling initiative, which is devoted to developing relationships and beginning conversations around preserving legacy, memory, connection, and trust in the African diaspora. She is the former Special Collections Archivist for Discovery and Access and Curator of modern literature and publishers, human rights and social justice, and local LGBTQ history and culture in the Department of Rare Books, Special Collections, and Preservation (RBSCP) at the University of Rochester.
"After hearing this episode, my mother told me my first time involved in genealogical research was when I was a month old when she took me to a census-taking training."
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Glad you are here to join us on our very first episode of In the Telling!
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Our first episode features NAP's co-founder Steven G. Fullwood, as he talks about his mother, Elaine, who he learned was a "gatherer" and widely known as "the woman on the block who brought everyone together at the house." Interestingly, Steven also discovered that although in 1955 his mother enrolled as a freshman at Libby and then graduated in 1959, somehow, in 1957, there is absolutely no record of her attending Libby, another school on the south side of Toledo, or even another district.
Steven speculates on what could have happened to his mother, but guessing her whereabouts only fuels his continued research to find the missing year in Elaine's life.
Steven G. Fullwood is a writer, archivist, and amateur photographer and filmmaker. His published works include Black Gay Genius (2014), and Carry the Word: A Bibliography of Black LGBTQ Books (2007). Fullwood is the former associate curator of the Manuscripts, Archives & Rare Books Division at the Schomburg Center for Research in Black Culture. He is the co-founder of the Nomadic Archivists Project, an initiative that partners with organizations, institutions, and individuals to establish, preserve, and enhance collections that explore the African Diasporic experience. He’s currently exploring his filmmaking interests through documentary work. He is a regular contributor to the American Age podcast. Fullwood enjoys reading about neuroscience, astrophysics, and watching science and nature documentaries.
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